Author Archives: Tim Lenton

Great evenings, thanks to Ross and Colin

One day many years ago I had something done to my teeth. I forget what it was (there are so many possibilities), but as usual it involved sitting still for quite a long time, and to distract me from the discomfort of it all, my dentist, Ross, put some music on.

It so happened that he chose an album by Mary Chapin Carpenter, which was why I ended up in the Theatre Royal during the Norfolk and Norwich Festival last month. I am not a great concert goer, but this one was exceptional because of the quality of the songs, and for some reason I hardly thought of my teeth at all. According to my cousin Mark – who is a constant concert goer – it was one of her best performances.

There was a warm-up artist, and her name was Emily Barker. She was part of the reason I went to the concert, because I had been so impressed with a song she sang that accompanied one of the Wallander series. It was called Nostalgia, if I remember rightly. It brought it all back.

In the video that I found after falling for Wallander, Emily was accompanied by The Red Clay Halo, and I fell for the video too. Also the name of the group. It’s strange how one thing leads to another. In Norwich Emily did not bring the Halo but was accompanied by Lukas Drinkwater, another talented musician I had never heard of. There are so many of them. If it had not been for my dentist, I would never have heard of him.

The same could not be said for Barb Jungr, who I heard for the first time the same week, singing Bob Dylan songs in a tent the end of the evening. I was introduced to Bob Dylan back in the 1960s by a temporary friend who I have not seen for well over half a century. I bought my first Dylan album without having heard a single song of his, and was bowled over totally and immediately. Great lyrics, great tunes, great singing technique. If I were to say it changed my life, you might think I was exaggerating. But it did.

Barb sang quite differently but also brilliantly in jazz/cabaret style, accompanied by keyboard and bass. It was a marvellous evening, and her versions of songs I knew well were riveting. She was also witty and fun to be with.

She opened with the relatively recent Things Have Changed and ended with one of my old favourites, Chimes of Freedom. In between came the rarely heard but quite outstanding Blind Willie McTell – plus many others, of course. I wish you could all have heard it, but I understand some of you don’t like Bob Dylan songs. What’s the matter with you?

Why do I bother writing all this down? Because – as I say – I was musing on how one thing leads to another, and how you never have any idea that it’s going to happen. So thank you Ross, and thank you Colin, my temporary friend. And the rest of you, of course.

Cleaning my father’s grave

It is my father’s birthday,
and I spray magic on his tombstone,
expecting not resurrection
but cleansing

Surprisingly, the dirt falls away,
and his name becomes clearer:
I wait for half an hour as instructed,
then do it again,
and the marble is white
– whiter than some snow

If I had better magic
I would make his whole life clearer:
I was ten when he died
and can remember almost nothing
except the time he ran up the avenue
chasing the moon,
and I followed on my bike

Now he would be 105 –
that much is clear.
To keep his grave clean is the least I can do,
and the most

 

Going round in circles – with a stick

Thank you to the two people who responded to my few paragraphs last time and said they would like me to continue with the story. As this is a surprisingly high number of people even reading my posts, let alone responding positively, I am going to give it a shot. But that will take some time. For now, I am going to tell you about talking circles.

Most talking goes round in circles, of course. But occasionally someone gets excited about traditional ways of discussing things, and even more occasionally that person will set up a talking circle. More occasionally still, she will persuade other people to take part.

I took part in one of these the other day. I don’t know why, except that the person who asked was very persistent. (While we’re on that subject, can I remind all young people, particularly my grandchildren, that being persistent is the key to success: being talented is helpful, being lucky even more so, but being persistent is absolutely vital. You won’t believe this until you’re my age and regretting everything you didn’t do, or try, or finish.)

Anyway, we were sitting round in this circle, like Native Americans. That was the easy bit. If we wanted to speak, we had to pick up a stick, which someone had found on a beach. I don’t think the beach is essential, but apparently the stick is. You can’t talk if you don’t have the stick.

You can’t pick up the stick unless you have something to say – unless you are keen on meditation, in which case you can pick up the stick and think for a while, presumably because you have a burning desire to say something, though you don’t know what.

I don’t think that was in the rules; that’s just what happened. Incidentally, isn’t it strange how many people who love silent meditation can’t stop talking, or wanting to talk?

Anyway, this went on for some time, and some of what people said was quite interesting, though I suspect not in the way the person who organised it wanted it to be. Still, it was a circle, and the people on the circumference just went round and round, like bicycle wheels but without the helmets.

There is a flaw in all this, of course, and it’s not punctures (though I suppose that could happen). The main flaw is that the people who like talking talk, and the people who don’t much like talking, or can’t reach the stick, remain silent. The stick had a definite attraction to certain people, like a magnet.

That was all right for us, though, because we were told that what was really important was listening. Presumably in that case picking up the stick was self-sacrificial, because then you had to talk and couldn’t listen.

I hope I’m not making this sound complicated. The other important thing is to set a time when you have to finish. We did that. That worked well.

Into the sea

Here where the road ends
(So long, Mary Ann)
the blood-red moon
shadows the thin lighthouse
and I am faced at last
with that long-approaching menace,
unable to answer questions
because your face is blurred

Back in Ward 14B
they go below your fragile skin
refusing to divulge key information
depriving you of your liberty
in case you make a run for it

making allegations
using foreign language
sucking your bright
life out and spilling it
into the sea

There is no more road:
the cliff edge cracks, revealing
poison beneath –
grey rocks dumped there vainly
for protection

None of this was our fault:
we played on the beach as well as anyone
though you never liked touching sand,
and the sea could not be trusted

Look for a new road –
one that leaps from the shore
and into the horizon:
there will be a sunrise,
and it will fit us
surprisingly well

Hotel room

Faint sound of bagpipes in the shower room:
a nice touch,
otherwise just what I might expect:
everything stripped down bare

Nothing to complain about:
clean, neat, white, neat, empty

Nothing left lying about:
no sign of life at all,
like a sterile cell from another dimension,
alien,
unfolded just for me:
a grand design

Outside, hollow night:
extras stroll stiffly in the street
to deceive me into thinking
this set is real

Sometimes they look up guiltily
but never stop

Like dancers down by the river
free before 10pm
they beckon to me without passion:
deep water lapping at
plain flood plain

The magician need not think he has me fooled:
all this catlike, cunning plumbing
will disappear tomorrow,
scurry back into some quantum state
paradoxically certain

Behind the curtain
he tries again:
the same old last-century trick

conjuring bagpipes
from thin, thin air

Something absolutely wrong

Over the years, I’ve started writing many works of fiction and finished a few. The other day I came across this one. These are the first four paragraphs. Do you think it’s worth continuing?

Sally-Anne McTell was born clinging to wreckage. The wreckage in this case was her mother, Wendy, who had been abandoned on a beach by her boyfriend, Roger, seven months through her pregnancy. Many of her friends saw this as a despicable, cowardly move on his part, because Wendy had a hard time struggling back through the soft sand and on to the promenade. Roger’s friends saw it as justified desperation, because Wendy was a pessimist – not just looking on the black side of things, but on the even blacker side of the blackness. She did not see how anything could possibly turn out well. In her experience, it never did.

“It’s all right for you,” she told an incredulous Roger. “You can go out to work. I’ll have to look after it every day. I’ve got a degree, you know. It will probably be ill, or brain-damaged.”

Roger said he did not believe brain damage was hereditary, and in any case the child might with any luck take after its father. This may have been a mistake. In response, Wendy detailed at length the ways in which she hoped the child would not turn out to be like its father, and Roger decided he wanted nothing more to do with either of them. His flat was empty by the weekend, and his sickly white saloon car was never seen in Norfolk again.

All of which was rather ironic, because the father of Wendy’s child was in fact a geography teacher who had met her one night in a pub on the seafront when Roger was in Peterborough. As they were both drunk at the time, neither of them remembered having sex behind the Marina Centre, though Wendy was puzzled to find sand in her stilettos the next day. As Wendy was in the habit of sleeping with Roger, she naturally assumed he was the father. In fact, he was sterile, but he did not find this out until much later, when he was living in Camden, Maine, with an optimistic waitress called Camille…

 

The solidity of cold

White claws
ready to strike

from overhanging bushes
ice re-forming on

hidden water
the sudden sound of silence

under grey blankets
the solidity of cold

slowing the universe down
I stop and reach for fire

using the speed of light
All shall be well

 

>> Bit of an experiment in form: one of this year’s sequence of Lent poems

Norfolk chess star publishes games collection

An unexpected phone call recently led to an enjoyable visit  from Mike Read, one of Norfolk’s top chess players – but one who achieved his peak performances in a specialised form of the game.

Mike is a Senior International Master in correspondence chess. His results have always been exceptional, and eventually he played on top board for England in the Olympiad team. For health reasons he stopped playing at around the turn of the century and switched his attention to annotating games for the Norfolk chess magazine, En Passant.

Now he has produced a book of 120 of his correspondence games, all annotated entertainingly  by himself: he must be unique in not using one of the top chess computer engines to assist him, but his comments are almost always spot on and often profound.

I have known Mike since he was at school and started playing over-the-board chess, at which he also excelled. So I was delighted when he presented his book to me, and even more delighted when I started playing through the games, which demonstrate his clear, satisfying style.

One of his heroes is former world champion Bobby Fischer, whose opening preference he shares (“1 P-K4, best by test”); another is Norfolk’s over-the-board chess star Owen Hindle of Cromer, an England international who won the Norfolk chess championship in a record five decades. When I was at school, and just after, I used to play with Owen in the Norwich chess team Kings; one of my proudest achievements was to achieve a draw against him in a tournament match.

Mike, like Owen, does not brag about his considerable achievements in the world of chess and is always willing to share his skills with others. It was good to see him after a gap of several years.

Chess, by the way, is a beautiful game, easy to learn and worth exploring for purely artistic reasons. Mike’s book is called My 120 Selected Correspondence Games and is available from Amazon at a very reasonable £10.14.

Landscape

A poor woman
walks across the landscape
carrying fuel for her fire

Stopping and looking,
the painter includes her
in his masterpiece

I carry no fuel:
I dream of mountains
and summer lakes

Can I be included
in God’s masterpiece
without ruining the view?

I stop and look

 

 

>Inspired by a moment from the BBC programme Civilisations

 

Brief visit to snowy Barry Island

Having a certain fondness for Gavin and Stacey, I was not unhappy to journey down to Barry Island in South Wales on a snowy Sunday recently. The primary reason for going was to transport my wife to a Philosophy4Children training session at one of Barry’s schools (such sessions are highly recommended, if you happen to be a head teacher). Normally she would drive herself, but the weather was uncertain – not to say threatening. One of us might have to push the other out of a snowdrift, we thought.

As it happened, a thaw set in, and the roads were easily passable – even more easily than usual, because most people hadn’t got used to the idea of getting their cars out after several days of being snowed in. We drove merrily from Herefordshire into Wales, with picturesque views on all sides and nothing to impede our progress.

Barry itself was something else. There had been heavy snowfalls here, with a lot of thick whitish stuff sticking on to the roads, many of which were effectively single-track. This was also picturesque, but required some determination to handle. Nevertheless, we made it to Gail’s Guest House in good time.

After a meal, and while my wife and her colleague (arriving from Devon) prepared for the following day, I took a stroll round the dark streets, which were pretty much deserted. We were at the high point of Barry, and I was able to get some nice views out across the Channel, all the way to Somerset, with lights reflecting off snow.

The next day I walked round the cliff and on to the shore path back into Jackson’s Bay, helped a driver get out of a snow patch and discovered the small ruins of St Baruc’s Chapel, which were not spectacular. Apparently Barry is named after the saint, who drowned in the bay.

No, it wasn’t very lively, but it was a cold March day. Yes, some parts of the town were run down, but I liked it. I don’t know why.

We drove back to Norwich the next evening, which was probably a mistake. Someone had put some traffic lights on a roundabout on the way up to the M4, and as usual with such an arrangement, it had brought much of the traffic to a standstill. Then it started to rain, and it poured for most of the way home. We should have stayed at Gail’s.

After enduring the madness of a perversely named “smart motorway” (more of which, I understand, is going to affect part of the M6 near Coventry and make life even more difficult for drivers – but hey, who cares about them?), we pulled into Corley Services and received a Kentucky Fried Chicken  and chips from a young lad who didn’t really seem to have come to terms with the concept of service, or chicken, or chips.

From there it should have been a smooth run with the rain easing off, but no – someone had decided to resurface part of the A11, which of course meant shutting the road. We were diverted through Shropham, I think it was, following two funereal heavy lorries. Oh joy.

Still, Barry Island was almost worth it. I may go again. Oh, Gavin and Stacey? It’s a television programme. Very funny, too. Sorry you missed it.