Christmas Day is empty
no-one passes by:
blackbirds wait beside the door,
there’s nothing in the sky
and I in my home scar
hunkering down
like a long-lived limpet, familiar
with this part of town
Christmas Day is empty
no-one passes by:
blackbirds wait beside the door,
there’s nothing in the sky
and I in my home scar
hunkering down
like a long-lived limpet, familiar
with this part of town
In this coming Christmas season St Augustine’s Church, Norwich, will be holding an Alternative Carol Service, as it has for the last 20 years or so. Part of this event will be a series of dramatic interludes, taking place this year mainly in Bohemia. (Don’t ask.) Obviously I would like to give you a detailed preview, but this is prevented by the Official Secrets Act. So here instead is another secret document, which has featured in previous years:
Enter angel:
Report of the Angelic Health and Safety Committee.
Star date – oh, I’ll skip that bit. Actually, I’ll just read the summary. Then you can tell me what you think.
OK. It is the unanimous decision of the committee that Project Incarnation should be abandoned as unsafe. We have done a thorough risk assessment and survey of the area that was targeted, and a number of extreme hazards presented themselves.
First, the planet itself is unstable. It is subject to unpredictable events like floods, volcanic eruptions and earthquakes, and warms up and cools down all the time.
Second, the country chosen is in turmoil. It is occupied and full of people who may turn violent at the slightest provocation. Armed soldiers are everywhere, and relations between different parts of society are strained.
Third, the time chosen adds significantly to the risks. They’re organising some kind of census, or election, which means people will be travelling around, which means more crime, more chaos, more risk of illness, injury or even death.
Fourth, the people targeted for inclusion in the project are unreliable. They could fail completely to carry out the roles allotted to them. They could do almost anything.
In conclusion, we feel that Project Incarnation is doomed to failure. We feel it will not be welcomed; it may even be rejected out of hand. And there is a real risk that someone could get killed.
What do you think? I just hope he sees sense and abandons the whole thing.
Enter Second Angel: I think you may find it’s too late.
Out on a limb,
like desperate travellers looking for somewhere to stay
like lonely shepherds in the dark
like a young girl suddenly with child
like wise men laughed at, following a wild idea
we are lost in a shapeless world
waiting for something to happen
out of step with time
unaware of the resting place
and the angels
trying to see through the pain
something in the shape of a star
until at the perfect moment, just off the beat,
the sound of singing
or a knock on the door,
a safe delivery:
as if we had found something lost
like a coin or a sheep
or someone sleeping in a field:
someone who, on closer inspection,
appears to be us
Common sense and a sense of humour are the same thing, moving at different speeds. A sense of humour is just common sense, dancing. Those who lack humour are without judgment and should be trusted with nothing.
I did not say that. I wish I had, but I didn’t. It’s rather like Christianity, in that you wish everyone would “get it”, because if they did, the world would be a better place.
It’s probably something to bear in mind when approaching the General Election. Does your candidate have a sense of humour? It’s probably a more important question than most we’ve heard so far.
The person who did say it was Clive James, who has just died. One day in the late 20th century I met him as I walked across the Barbican in London. I wanted to stop him and tell him what a huge inspiration he had been to me, in the way I wrote and what I wrote about.
But of course I didn’t. I thought, Why should he care? He looked worried enough already.
Some of you may be puzzled about my being inspired by a TV personality, but of course to me he was always a writer – more specifically, a television reviewer. His witty, beautifully written columns in the Observer in the 1970s led me to try my hand at the same thing. I got hold of one of the earliest video recorders, taped programmes while I was at work (in the evening) and spent a few priceless daylight hours writing a TV column for the Church of England Newspaper.
This later became a more general column, and I was eventually able to write a weekly page for the Eastern Daily Press, which lasted for eleven years, as well as many other pieces, including fiction and poetry. But that’s another story. Several other stories, in fact.
There are many things Clive James and I did not have in common. I could not be Australian – I have never even been there, because it’s too far, as Corey Ford almost said. And I could not share his lack of belief in an afterlife, because I think it’s an absurd position to take up in face of all the evidence. But you can admire someone without agreeing with them.
“All I can do is turn a phrase until it catches the light,” he said. He always caught the light for me. I may be the only person in the world who would say his three strongest influences as a writer were Bob Dylan, Leonard Cohen and Clive James.
I hope this doesn’t come as too much of a surprise, but I suspect it might. You have to laugh, don’t you?
I stand on the edge of eternity:
a door opens, and I look back at the universe,
which sparkles and throbs with life
I know I must not touch
the angel at the door
of creation
If I do, I will have to go on
into the realm of angels,
but back there in the coruscating night
people are calling to me
I still belong
in that crazy fairground
I do not know why,
or how I can help,
or what I have done so far
I reached out,
but no-one responded
I like the look of the angel
at the door of creation, and
the angel smiles at me
I do not touch him:
all I want is beauty,
or is it holiness?
I do not touch the angel
I look again at eternity:
the nurse comes
to give me painkillers
Sixty years on, the trains
still run at the bottom of my garden.
I return, expecting to see
uprooted rails, something for walkers,
a crazed cycle path,
but I hear the train, and I see
the track, though the meadows it ran through
have been shaved and smartened
into a blazered sports field, and a fence
blocks my old path to the dark woods.
I search for signs of my childhood,
marks I might have made.
Someone has thrown away the broken tooth
and the bicycle,
and the moon my father chased up the street
got away – as did the boy
who pulled his toy from underneath a moving car
while I stood transfixed.
But the numbers remain:
the pavements, the houses,
the steps towards school.
The scene of my first major crime
(grand theft marble)
has been wiped clean
like my sins.
No more lovely young girls,
no more shotguns,
no more holes in the ground.
Everything is neat now,
except the forces’ club and its
car park in no-man’s-land,
leaking on to the street, as it always did.
Swinging on some railings by the iron road,
I dropped a magical red magnet
and could never find it.
Perhaps that is what draws me back
to this unremarkable street,
this shadowed and temperamental sky
under which strange things happened
to someone I almost knew.
Last week saw a rather sad landmark for the Lenton family: my uncle Paul, the youngest of my father’s brothers, died at the age of 96. He was the last of his generation, and the longest-lived.
This of course means that I am now part of the oldest generation, and some time in the not-too-distant future someone may well be writing similar words about me, or one of my brothers or cousins. That, I have to admit, is a little unsettling.
Paul was a good man. He founded a church near Eaton Park and was decorated for his first aid work during the war. He played football till he was well over 50 – mainly in goal –- and I played against him on occasion. His team in those matches was Park Church. I played for Surrey Chapel. Games took place twice a year, on Boxing Day and Easter Monday, and were the forerunner of today’s thriving Norwich Christian Football League.
Paul was born in Norwich, but his parents came from further afield. His father was born in Norman’s Cross, near Peterborough, and his mother in Sheffield. I’m not sure where they met, but I suspect it was in London, where my grandmother was a hospital nurse. Her maiden name was Booth, and she always claimed that she was related to the founder of the Salvation Army, but no-one ever worked out how.
The family moved to Norwich from Mansfield in about 1908. Their two eldest sons, Leonard and Reg, had already been born, but the rest were born in Norwich. Leonard moved to Africa not long after he married, and I don’t think I ever met him, though I now know his daughter, who lives in Liverpool.
Reg was a good friend to us, particularly after my father died of a stroke at the age of 43. But eventually he too moved away, though not so far. His three children – all older than me – now live in South-West England.
The Lenton family continued to grow in Norwich and became stalwarts at Surrey Chapel free church. The next boy, Frank, became a manager at Colman’s, and my father David went into local government, eventually becoming assistant education officer in Coventry.
Ken followed in 1915. He was a company secretary, I believe, and probably because he lived fairly close to us in Norwich, I became friendly with his two children, one of whom is now dead.
Having produced five boys, my grandparents now came up with two girls – Dorothea, who was matron of Norwich School when it took boarders, and who was one of the nicest people I’ve met. Her sister Kathleen was rather more severe, but I got to know her better after she returned from Zimbabwe after many years as a nurse/missionary and lived in Norwich until her death in 2011. She had outlived two husbands. Neither girl produced children.
Paul’s birth in 1923 completed that generation of the Lenton family. His three children survive him – two of them living in Norwich and one in Lincolnshire.
I still have an aunt living just outside Norwich. She is in her 90s, but she is not a Lenton – she is my mother’s youngest sister; so her maiden name was Brown. But that’s another story.
Travelling back through the centuries
past standing stones
and hollow hungry mounds,
we arrive at Yesnaby,
where cliffs and castles
fall into the sea,
waves crash recklessly in
eating away at what is unseen,
giving us no warning
that soon we will be crashing too
struck down by a mystery,
inches from all those Viking footprints,
broken bones and bruising on the horizon
and all over the island
But that unpredictable beauty lingers
as my eyes close
just for a second
until the real world breaks through
And still I remember Yesnaby
where as usual I did not go far enough
and so missed the glory of it all
not once but twice
The glory is still there, though,
a thousand miles and a few yards away,
waiting for me
It is now a week since I had the plaster cast removed from my left arm. It seems longer. The cast had been on for five weeks and was getting extremely annoying. It was mainly the itching, but also the weight of it, which was not doing much for the muscles in my chest and shoulders, such as they are.
It was a tremendous relief when they sawed and levered it off: I felt as if I had been set free, and I trotted off to the x-ray queue with a song in my heart, which is always the best place for it. When the doctor said the bone was healing satisfactorily, the future looked bright.
What no-one mentioned was how the disappearing cast would affect my arm. The skin started flaking off and itched like mad. That has reduced in intensity, but it hasn’t gone away. The arm and hand were extremely swollen (I couldn’t find my knuckles at first). They were also stiff, and annoyingly there was quite a lot of pain.
The pain was not so much in the area of the break, which was to my ulna – the smaller of the two lower arm bones. The pain was in the wrist, and still is. My dentist told my wife that this was because the wrist had been held stiff for a long period, and I’m sure he’s right, though I’m not clear on the mechanics of it.
Encouragingly, I was able to observe improved movement in my arm day by day. I found myself typing with my left hand as well as my right. I could put my trousers on without any trouble (think about it). I could hold things with my left hand, though I still can’t support much. I could open doors. If they weren’t too heavy.
Yesterday I had a bath – the first for nearly two months. Up to then my wife wouldn’t let me get in it, in case I couldn’t get out. Well you don’t want to be stuck with a husband in a permanent bath, do you? I should explain that I had been having showers. You can’t get stuck in a shower. Well, not easily.
The wrist pain is very annoying, though. I keep telling myself lots of people are much worse off, but this – although undoubtedly very, very true – doesn’t help all that much.
The other problem, of course, is that I’m terrified of falling over.
Sun peppers the sea as we step like ghosts
down from the dark galleries
where the blood-red line between beauty and terror
is sometimes visible
behind the writing on the wall
Disintegrating tree-stumps
mark the ancient quay
long sucked away
We, lost children sent
on a forgotten errand,
look for the lingering paths,
watching the tides,
following old footprints
that fade away
We carry faint maps
between our shoulder-blades,
the mystical beginning
and the end
This is not home, nor looks like it
though there is something in the trees
and mirage hills
that hovers shining out of reach
No signposts here,
no memories: just
ripples of grace around our feet
and a muddy gate
that might be pushed open