Author Archives: Tim Lenton

Young birds

Light flashes in the hedge
as young birds
free from the fields
taste the edges of their new world

then come to feed from our fingers:
sunlight pierces their wings
and the puzzle of leaves and branches
as we watch,

remembering Columba
the holy dove 
and the flames of light
that settled on him, filled his house

full of love and secrets,
consuming the dry, tender land.

(Highly commended in the Crabbe Poetry Competition 2020)

Missing our second home

Although I have many doubts about the Government’s approach to Covid, since the outbreak started I have avoided travelling to my second home in Scotland.

This is partly because I don’t have a second home in Scotland, but there is a place in Aberdeenshire that does feel enough like home for me to want to go there. It’s called Ballater, and we have been there almost every year since about 1990.

We started going because our next-door neighbour in Norwich came from Aberdeenshire, and once we had got attuned to his accent – it took a couple of years – we found that he had a sister who owned a cottage in Ballater, and she might be willing to rent it out to us.

She was, and she became a close friend. She introduced us to several different Highland Games – no, that’s not a euphemism – and introduced us to her friends. She fishes for salmon, and she knows the top people along the River Dee – not just the ghillies, but the landowners. She is well connected.

The “wee house” we stayed in was a former school house, with plenty of ground and strategically placed. More recently it has been sold, and we have stayed at other cottages in the town.

During Storm Frank at the end of 2015 much of the town was flooded, when the Dee burst its banks to the south and west of its centre – the water inundating the golf course and hurtling into shops in the High Street and buildings elsewhere. It has taken some time to recover.

This was a major change to the town, of course. But other changes happened too. The station, which had been redesigned as a museum commemorating the visits of the Royal Family (Balmoral is just up the road), burnt down. Again it has risen from the ashes, and the Prince of Wales – or the Duke of Rothesay, as he is known in those parts – has opened a swish new restaurant to assist in the revival of the town. We’ve eaten there. It was superb.

Still we can’t help hankering over the Green Inn, which was in the early days probably our favourite restaurant in the world, but was sold and became an Indian. A very good Indian, it has to be said, but not the same thing.

We also miss the Glen Lui Hotel – or will, because it too was hit by fire earlier this year, and the last we heard it was due to be demolished. We stayed there on a couple of occasions, but always ate there when we were in Ballater, because the food and service were so good.

Storm Frank didn’t just flood the town; it demolished roads outside the town (the main A93 was washed away at one point between Ballater and Balmoral: it took only 19 days to replace it, partly because Norfolk County Council had nothing to do with it) and bridges  went down too. A beautiful footbridge at Cambus O’May on the way to Aboyne was badly damaged and has been hit again in recent days by another storm.

One of our favourite spots, the Linn of Quoich, had its road bridge completely destroyed, meaning that walking to the Linn became much more of a challenge.

We still love it all, of course, but we are becoming wary. Other restaurants and shops have changed hands, and when we arrive in Ballater nowadays the first thing we do is look round anxiously to see if our favourite places are still there. It’s the same everywhere, no doubt, but when it’s your second home, the changes hit you harder. 

Drawn to the edge

The sun plays hide-and-seek among hilltop trees
firing its paintball light 
onto the valley water,
inventing strange angles and impossible colours

while shadow ice coats cracking valley walls
like deep-sea teeth
anchored in cold blood

and geese skate like beginners down the canal,
breaking the fragile surface,
reflecting, plunging in,
pretending to carry it off, not really surprised, 
as if they meant it.

As twilight sidles in, I am drawn to the edge
as if I mean it,
but wanting to fly, not skate or swim – fly in the evening hilltop air,
arms wide, chasing the nearest star,
looking for that lost ladder up to heaven

I do not carry it off:
instead I watch baby eagles
plunging past light and ice
outside the nest,
falling, but never quite 
hitting the ground,

discovering wings.

I’m a real nowhere man, looking for the middle

Yesterday I took a brief trip back to my childhood – to those warm and sunny days before the climate changed and someone invented speed cameras and drink-driving, and when you could motor down all the streets in my home town without worrying whether someone had closed them overnight.

Prompted by a photo feature in my local paper – yes, we still take a local paper – my wife and I travelled out into the Norfolk countryside, using only a map to guide us. It was as if satnavs did not exist. Happily we took a wrong turn at an early stage and went a different way instead. But we got there and parked by the church at Tunstall, which you may not have heard of.

It lies on the brink of the marshes that cluster round the River Yare as it wends its unhurried way from Cantley to Great Yarmouth. To reach Tunstall you have to travel through Halvergate – a village from which some of the marshes take their name – and venture up a lane that leads to nowhere, other than Tunstall. It is not on the way to anywhere, and to get back home you have to turn round and come back. Some people find this alarming.

The church was open to visitors. The ruins are open to the heavens, atmospheric and – like the former chancel that has been converted into a simple place of worship by bricking in the arch and inserting a solid door – without much adornment. To a simple soul like me, this is very much back-to-childhood. I was brought up in a free church which did not even permit flowers in case they were distracting.

I loved Tunstall Church, or St Peter and St Paul, to give it its full title. But I loved the countryside around it even more. This is quite surprising, in that my first love is mountains, and the countryside around Tunstall and for miles around has been described as flat. It is not quite flat: if it were sea, it might be described as gently rolling, but mountains or even small hills are conspicuous by their absence.

We walked on a path across a dry, ploughed field, then on a country lane that ended in – well, nothing really. It just stopped. You could park and try one of two paths, neither of which really seemed to go anywhere. It was the edge of the Broads National Park. The outer edge. The path I tried was soon overgrown. If I had gone far enough I might have found a stream, or a staithe. Or maybe that was somewhere else. We picked small blackberries, and ate them for supper.

We drove back across open country. There was no direct route: we followed the edges of the fields, turning left, right, left. I wanted to stop, just to look at the patterns of the sun, but I resisted the temptation. Eventually we hit civilisation. The only good thing about civilisation is that there are toilets. In this case there was also a hold-up, because they were digging up the road. Again.

Survival is not good enough

Bob Dylan once said: “I accept chaos. I’m not sure whether it accepts me.” He wasn’t speaking about the COVID regulations at the time, but his comment seems particularly appropriate as the virus-plagued summer of 2020 turns to mysterious autumn. 

Unlike Mr Dylan (né Zimmerman), I have never been happy with chaos, except as an artistic tool. In real life, I like to know what’s going on; that’s why I react so strongly against a bunch of anarchists stopping the newspapers being printed – among other things. 

It’s not just anarchists, though. No-one really has any idea what the Government will do next, because the coronavirus is as unpredictable as Boris. And vice versa. In looking for solid ground, one feels tempted to echo author Neil Gaiman’s words in his novel The Kindly Ones: “I would feel infinitely more comfortable in your presence if you would agree to treat gravity as a law, rather than one of a number of suggested options.”

Admittedly, gravity is not the issue here. Indeed, scientific laws are not really the issue, because although we are supposed to be following the “science”, what we really see is a number of scientists holding different views. Indeed, that is what science is about. That is why taking what “most scientists” say as gospel is a particularly dangerous thing to do. All those conflicting studies and all that contrasting research. 

What effect is all this chaos having on us? The three major constraints imposed on us at the time of writing are to wear masks in shops, in church and on public transport (plus a number of other places that I don’t remember at the moment); to not meet in groups of more than six – a pretty random figure; and to keep two metres (another pretty random figure) away from people you don’t know.

You can’t hug, you can’t smile (or be seen to smile), and you can’t sing. Is this sensible restraint, or is it taking away from us a large proportion of what it means to be human? To be human means to move towards other people; following COVID regulations is to erect barriers between us, like the Mexican border wall.

You can see your friends or colleagues on Zoom, but you can’t touch them. Is this really what we want? To be in their presence but not in the same place? Not able to read their body language?

I’m not suggesting ignoring the regulations, because that would be chaos. What I do suggest is that whoever is responsible for dreaming them up gives it some serious thought, because making us less than human is as destructive of life as any illness. Simply surviving is just not good enough.

Archangels

Archangels
fall from the sky as autumn tiptoes in:
they defend the faithful
from invisible foes,
holding back the bitter rain
and the onslaught of dragons

All this has happened before,
when the stars changed colour,
shifted to red and back
made a whirlpool out of the sky

And galaxies continue to collide:
one day there will be no more sea
but the archangels remain
and yes, you can see them
if you use the right telescope,
look carefully
and shield your eyes

Back at the start of it all
a song echoed through the cosmos

Tune in and you can hear it still:
I will not say who sings it

My first illegal journey

I’m not sure if I should admit to this, but just over 50 years ago I was in the United States illegally. For a fortnight – and I hope that will confuse the authorities enough to let me get away with it, because Americans have no idea what a fortnight is.

It happened when I worked, fairly briefly, for the Billy Graham Evangelistic Association. They had just bought a very old British newspaper called The Christian, and by an amazing coincidence, the previous summer I had been on holiday at a guest house in Minehead, Somerset.

Not an obvious coincidence, unless you know that a Scottish journalist with four theology degrees was staying at the same guest house. I don’t know why. Somehow, he and I got talking, and he discovered that I enjoyed writing. I showed him some short pieces I had written, and the following autumn he gave me a ring at my home in Norwich.

He had just been appointed editor of The Christian and was looking for writers. At the time I was training to be an accountant. I don’t think I would have been a very good one. Dr J D Douglas (for it was he) asked me if I would like a job in London, and I – or whoever was inhabiting my body at the time – said yes. I soon found myself in a bedsit with shared toilet and bathroom in North London. I was on my own.

It was the start of my journalistic career. I made my way each morning to Bush House in central London and reported on various meetings and events. The first press conference I went to was in French. Fortunately there was a translator.

J D eventually decided that it might be a good idea if I went to a writing school. The one he decided on was in Minneapolis, headquarters of the BGEA. It was my first flight. I had been outside the UK before, but only on school trips.

And there was some kind of strike. Instead of flying straight to Minneapolis, I had to travel via Prestwick to Toronto. From there I had to find myself a flight to Winnipeg – also in Canada – and from there a train to Minneapolis. It was not straightforward.

I did however manage to get a flight on a rather shaky old propeller-driven job from Toronto to Winnipeg. It went via Thunder Bay, which was appropriate, because there was a lot of lightning around at one point. Quite spectacular, if I remember.

It was about midnight when I arrived. I found a taxi and asked the driver, who came originally from Horsham in Sussex, to take me to a hotel near the station. I didn’t have change; so we had to into the hotel to get it. To my young and cynical eye, the hotel seemed rather less than trustworthy; so once in my room I propped a chair against the doorknob and put my passport under the pillow.

You may wonder where all this is leading. But no, I was not robbed – not at that point, anyway. The next morning I trotted over the station and bought a ticket to Minneapolis, which was pretty much due south, across a very large number of wheatfields. Just over 450 miles. The cost? Ten dollars. I was deeply shocked, and very pleased.

And of course during the rail journey I passed from Canada into the United States. I don’t know exactly when, because there was nothing to indicate it. But eventually the conductor came round, looked at my ticket, and I explained I would be here for a fortnight. There was a long conversation, and eventually I twigged that in the US, two weeks do not make a fortnight.

Probably confused by all this, he said I needed to sign some kind of form, and he would come back with it. But he never did.

So when I came to leave the United States, a fortnight or two weeks later, it could have been tricky. I did not have the paperwork. Thankfully, someone was looking after me. I met a man who knew a travel agent, and she sorted it out.

I have been to the Unites States since then, once via Canada to Florida, and twice directly there. I can recommend Captiva Island. It was all perfectly legal.

Proof of heaven

As in a soup, spoon-hot,
I float with noodles – 
the yellow tubes hold me up
and I defy gravity,
my organs mystified at the lack of pressure
from above or below

All is calm: I drift,
waiting for God to speak

Like Julian, I look for showings
of what is real – the deal
that defies description

I feel love push me
in different directions, and
my firm convictions sink:
they are too heavy

All right, I am clinging on,
but the bright white flowers
and the sun behind
make me forget all that

Grace is pouring in and out:
its currents propel me gently
from side to side

Sometimes I kick,
but I do not escape

For a while, this
is proof of heaven:
paper bark falls from birch trees
and lies on the grass, unread

Why are we so keen to get out of the quiet rooms?

“All of humanity’s problems,” wrote Blaise Pascal, “stem from man’s inability to sit quietly in a room alone.” 

He was probably not thinking of coronavirus when he wrote it, but it seems a useful observation in the current crisis, and one that Boris Johnson might find helpful as a variation on “Stay alert. Stay at home unless you go out. Wear a mask”, which lacks something in depth and subtlety. 

I’m sure it would help if more of us could sit quietly in a room alone and not rush off to the nearest beach in a panic because the package planes are grounded. Now that there are so many more things you can do in a room on your own – television, radio, video games, recorded music – it’s bit surprising that the urge to get out is so strong. 

I have always been attracted by Corey Ford’s dictum, “I’d go away if it wasn’t so far.” Perhaps we could adopt is as a kind of subliminal slogan popping up between programmes.

But there are many comments from the past that could be adapted to current circumstances. For instance, if you’re feeling the urge to travel unnecessarily, you might be influenced by this philosophy, which I believe came from the Peanuts comic strip, one of the world’s great sources of wisdom: “Never do today what you can put off till tomorrow. It might not be necessary.”

I wonder what motto is hanging on the wall of those who make decisions about our behaviour in Covid times. I feel folk singer Tom Paxton’s comment many years ago would be appropriate: “If I’m absolutely sure of anything, I probably forgot what it was.”

Or maybe this from Mark Twain: “All you need in this life is ignorance and confidence, and then success is sure.”

Super-scientist Albert Einstein felt that when explaining complex problems you should “make everything as simple as possible, but not simpler”. In the years since he said it, almost everyone in authority has routinely forgotten the vital last three words, and this has continued during the critical last six months, resulting in such conflicting idiotic instructions as “Go to pubs and restaurants, but not church, because that’s obviously much more dangerous, especially if you sing.”

But how do we – the locked in, masked and socially distanced – feel about the way the world is going? Poet Philip Larkin comes into his own with “Something is pushing them
To the side of their own lives”

Or maybe another poet, Stevie Smith:
“I was much too far out all my life.
And not waving but drowning.”

The effect on us all is really one of disorientation. Before March this year we were comfortable, in the sense that we sort of understood the world and how it worked. We may or may not have liked it, but the familiarity of it made it bearable at worst and wonderful at best. The bits in between were understandable. 

But all that was just a delusion. Most of us didn’t really know what was going on – and as Donald Rumsfeld would say, we didn’t know that we didn’t know. Now we do.

Life, we now see, is unpredictable, and that must affect the way we approach it. Two vastly different writers saw this clearly. First, the singer Leonard Cohen, who described someone as “starving in some deep mystery, like a man who is sure what is true”.

And the writer and broadcaster Malcolm Muggeridge: “Some see that life’s a mystery. Others think it can be grasped.”

As we step wonderingly into the second half of 2020, the others must surely be shrinking in number. 

Limit of navigation

Pulled by the pain of wind and tide
and racked by rain
your body moves from side to side

You toss and touch the shallows 
gather in the sheets
tumble face down, indiscreet

Naked to sand and stone, so close
to land: pillow fair head
stranded on some quite unexpected bed

Hours tumble past
the fast hours of the fairy moon
that drew you in

Your damp skin sinks in sightless sleep
no rise and fall outside the deep